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Erschienen in:
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2024 | OriginalPaper | Buchkapitel

3. Creating Ambiguity Through Metrical, Formal, and Harmonic Disruptions

verfasst von : Christopher Gage

Erschienen in: Unity, Ambiguity, and Flexibility in Theme Music for Game Shows

Verlag: Springer Nature Switzerland

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Abstract

Accompanying music often needs to be cut short or reconfigured depending on the length of elements of gameplay; how does it do so without being noticeable so as not to create a jarring disruption of the listener’s perception? In fact, the music is already disrupted in an intentional manner in order to pre-empt any sudden perceptual fissures due to cut-offs or odd starting locations. This chapter discusses ways in which this effect is achieved, including metrical and hypermetrical idiosyncrasies, formal ambiguity, and harmonic disorientation. Shows featured in this chapter include Card Sharks, I’ve Got a Secret, Jeopardy!, Match Game, Password Plus, Press Your Luck, The Price Is Right, and Wheel of Fortune.

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Vorheriges Kapitel Creating Unity Through Thematic Repetition and Saturation
Nächstes Kapitel Bonus Round: Nostalgia and the Reboot
Fußnoten
1
Edd Kalehoff, interview by Howard Blumenthal, Oral Histories, The National Archives of Game Show History, 2022.
 
2
This list does not include cues with harmonic progressions that end on bVI; despite the half-step relationship between b6 and 5, the bVI–V resolution, given its similarity to cadential moments in the Price title music, is less jarring. Those cues are listed here: Themes A, B/E, and D (1974); “Ralph” and “Second Thoughts” (1976); and Themes 1 and 7 (1983).
 
Literatur
Card Sharks. 1978–81. Produced by Mark Goodson-Bill Todman Productions.
I’ve Got a Secret. 1976. Produced by Mark Goodson-Bill Todman Productions.
Jeopardy! 1984–present. Produced by Merv Griffin Productions.
Match Game. 1973–82. Produced by Mark Goodson-Bill Todman Productions.
Kalehoff, Edd. Interview by Howard Blumenthal. Oral Histories. The National Archives of Game Show History, 2022.
Password. 1961–67. Produced by Mark Goodson-Bill Todman Productions.
———. 1971–75. Produced by Mark Goodson-Bill Todman Productions.
Password Plus. 1979–82. Produced by Mark Goodson-Bill Todman Productions.
Press Your Luck. 1983–86. Produced by The Carruthers Company.
Super Password. 1984–89. Produced by Mark Goodson Productions.
Tattletales. 1974–78. Produced by Mark Goodson-Bill Todman Productions.
———. 1982–84. Produced by Mark Goodson-Bill Todman Productions.
The $10,000 Pyramid. 1973–76. Produced by Bob Stewart Productions.
The $25,000 Pyramid. 1982–87. Produced by Bob Stewart Productions.
The Joker’s Wild. 1972–75. Produced by Jack Barry Productions.
The Price Is Right. 1972–present. Produced by Fremantle.
To Tell the Truth. 1969–78. Produced by Mark Goodson-Bill Todman Productions.
Trivia Trap. 1984–85. Produced by Mark Goodson Productions.
Wheel of Fortune. 1983–present. Produced by Merv Griffin Productions.
Metadaten
Titel
Creating Ambiguity Through Metrical, Formal, and Harmonic Disruptions
verfasst von
Christopher Gage
Copyright-Jahr
2024
Buch
Unity, Ambiguity, and Flexibility in Theme Music for Game Shows

Print ISBN: 978-3-031-46805-6

Electronic ISBN: 978-3-031-46806-3

Copyright-Jahr: 2024

DOI
https://doi.org/10.1007/978-3-031-46806-3_3