nach oben

Erschienen in:

2024 | OriginalPaper | Buchkapitel

1. Introduction

verfasst von : Christopher Gage

Erschienen in: Unity, Ambiguity, and Flexibility in Theme Music for Game Shows

Verlag: Springer Nature Switzerland

Einloggen

Aktivieren Sie unsere intelligente Suche, um passende Fachinhalte oder Patente zu finden.

search-config

KI-gestützte Suche

Aus

Abstract

This chapter will discuss the history of game show music and the current state of game show scholarship. Since such scholarship is nonexistent, the introductory chapter will serve to highlight the need for this kind of research. The closest area of study to game show music is video game music, another flexible form, and a survey of this field will show the differences between the two genres. This chapter will end with a brief overview of game shows of the twentieth and twenty-first centuries, as well as a clarification as to which programs will be discussed.

Sie haben noch keine Lizenz? Dann Informieren Sie sich jetzt über unsere Produkte:

Springer Professional "Wirtschaft+Technik"

Online-Abonnement

Mit Springer Professional "Wirtschaft+Technik" erhalten Sie Zugriff auf:

über 102.000 Bücher
über 537 Zeitschriften

aus folgenden Fachgebieten:

Automobil + Motoren
Bauwesen + Immobilien
Business IT + Informatik
Elektrotechnik + Elektronik
Energie + Nachhaltigkeit
Finance + Banking
Management + Führung
Marketing + Vertrieb
Maschinenbau + Werkstoffe
Versicherung + Risiko

Jetzt Wissensvorsprung sichern!

Jetzt informieren

Springer Professional "Wirtschaft"

Online-Abonnement

Mit Springer Professional "Wirtschaft" erhalten Sie Zugriff auf:

über 67.000 Bücher
über 340 Zeitschriften

aus folgenden Fachgebieten:

Bauwesen + Immobilien
Business IT + Informatik
Finance + Banking
Management + Führung
Marketing + Vertrieb
Versicherung + Risiko

Jetzt Wissensvorsprung sichern!

Jetzt informieren

Nächstes Kapitel Creating Unity Through Thematic Repetition and Saturation

Claudia Gorbman, “Narrative Film Music,” Yale French Studies, no. 60 (1980): 183.

David Neumeyer, “Film Music Analysis and Pedagogy,” Indiana Theory Review 11 (1990): 15.

Frank Lehman, “Hollywood Cadences: Music and the Structure of Cinematic Expectation,” Music Theory Online 19, no. 4 (2013).

Lehman.

James Deaville, “A Discipline Emerges: Reading Writing about Listening to Television,” in Music in Television: Channels of Listening, ed. James Deaville: 11.

Deaville, 18.

Tim Summers, “Analysing Video Game Music: Sources, Methods and a Case Study,” in Ludomusicology: Approaches to Video Game Music, ed. Michiel Kamp, Tim Summers, and Mark Sweeney (Sheffield, UK: Equinox, 2016), 18.

Lehman, “Methods and Challenges of Analyzing Screen Media,” in The Routledge Companion to Screen Music and Sound (New York: Routledge, 2017), 501.

Elizabeth Medina-Gray, “Analyzing Modular Smoothness in Video Game Music,” Music Theory Online 25, no. 3 (2019).

Leonard Meyer, Emotion and Meaning in Music (Chicago: University of Chicago Press, 1956), 51.

Meyer, 163.

David Huron, Sweet Anticipation: Music and the Psychology of Expectation (Cambridge: MIT Press, 2006), 240.

Huron, 271.

“Clean” copies of theme songs, as well as their many different versions, can be found online at the Museum of Television Production Music (https://www.tvpmmvault.com/), which has proven to be an invaluable resource.

Deaville, James. 2011. A discipline emerges: Reading writing about listening to television. In Music in television: Channels of listening, ed. James Deaville, 7–33. New York: Routledge.CrossRef

Gorbman, Claudia. 1980. Narrative film music. Yale French Studies 60: 183–203.CrossRef

Huron, David. 2006. Sweet anticipation: Music and the psychology of expectation. Cambridge: MIT Press.CrossRef

Lehman, Frank. 2013. Hollywood cadences: Music and the structure of cinematic expectation. Music Theory Online 19 (4).

Match Game. 1973–82. Produced by Mark Goodson-Bill Todman Productions.

Medina-Gray, Elizabeth. 2019. Analyzing modular smoothness in video game music. Music Theory Online 25 (3).

Meyer, Leonard. 1956. Emotion and meaning in music. Chicago: University of Chicago Press.

Neumeyer, David. 1990. Film music analysis and pedagogy. Indiana Theory Review 11: 1–27.

Password. 1961–67. Produced by Mark Goodson-Bill Todman Productions.

———. 1971–75. Produced by Mark Goodson-Bill Todman Productions.

Summers, Tim. 2016. Analysing video game music: Sources, methods and a case study. In Ludomusicology: Approaches to video game music, ed. Michiel Kamp, Tim Summers, and Mark Sweeney, 8–31. Sheffield: Equinox.

Titel: Introduction
verfasst von: Christopher Gage
Verlag: Springer Nature Switzerland
Buch: Unity, Ambiguity, and Flexibility in Theme Music for Game Shows
Print ISBN: 978-3-031-46805-6

Electronic ISBN: 978-3-031-46806-3

Copyright-Jahr: 2024
DOI: https://doi.org/10.1007/978-3-031-46806-3_1